The Best Little Whore House in Texas Cast
| The Best Fiddling Whorehouse in Texas | |
|---|---|
 Theatrical release poster | |
| Directed past | Colin Higgins |
| Written by |
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| Based on | The Best Little Whorehouse in Texas
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| Produced by |
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| Starring |
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| Cinematography | William A. Fraker |
| Edited past |
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| Music by |
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| Production |
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| Distributed past | Universal Pictures |
| Release date |
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| Running time | 114 minutes[1] |
| Country | The states |
| Linguistic communication | English |
| Upkeep | $20.5 million or $35 million[2] |
| Box part | $69.seven million[3] |
The All-time Trivial Whorehouse in Texas is a 1982 American musical one-act pic co-written, produced and directed past Colin Higgins (in his final film as director). Information technology is an accommodation of the 1978 Broadway musical of the same name, and stars Dolly Parton, Burt Reynolds, Jim Nabors, Charles Durning, Dom DeLuise, Noah Beery Jr., Robert Mandan, Lois Nettleton, Theresa Merritt, Barry Corbin, Mary Jo Catlett and Mary Louise Wilson.
Durning was nominated for the Academy Award for Best Supporting Actor for his role every bit the Texas governor. Gilded Globe Honour nominations went to the film for All-time Move Flick (Comedy or Musical) and Parton for All-time Actress in a Motility Film (Comedy or Musical). It was the fourth highest-grossing live-action musical moving picture of the 1980s, and the top grossing of 1982.[4]
Plot [edit]
Ed Earl Dodd, the sheriff of Gilbert, Texas, has a relationship of long standing with Miss Mona Stangley, who runs a brothel chosen the "Chicken Ranch" outside of town. Illegal or non, Earl does not interfere with her business concern, which has been a fixture in the town for as long as either tin can remember.
Lovers on the side, occasionally interrupted by Deputy Fred, the sheriff and madam have a pleasant organization. Non everyone in town approves of her, but Miss Mona is a public-minded denizen who regularly donates to clemency, decent and law-abiding in every respect merely her line of work.
A big-metropolis idiot box personality, do-gooder Melvin P. Thorpe, is about to do a segment near the boondocks, so the sheriff visits Thorpe in his Houston studio. He is shocked by Thorpe's alive telecast, in which Thorpe reveals to a huge audience his discovery that "Texas has a whorehouse in information technology." Earl later compounds the trouble by insulting and threatening Thorpe in the boondocks public square after Thorpe accuses him of taking payoffs and bribes for not cracking down on Miss Mona's business, all defenseless on Goggle box.
The Chicken Ranch is an establishment, where the winning team from the football game between land rivals the University of Texas Longhorns and the Texas A&M Aggies traditionally is brought to "celebrate" its victory. The negative publicity puts a spotlight on the place, then Ed Earl gets Miss Mona's word that she volition shut the doors until the attention goes away. She shuts it down to regular customers but elects to permit the football players have their political party, at which indicate Thorpe and his TV cameras sneak onto the property and ambush them all. A quarrel and bitter breakup betwixt the sheriff and Miss Mona ensues, punctuated past him calling her "a whore."
The Governor of Texas, who cannot make a decision on a single issue until he first sees what voters say in the polls, listens to Earl'southward appeals to continue the Craven Ranch open, simply when the polls say no he orders Ed Earl to close downward the Chicken Ranch. The working girls leave the Chicken Ranch for proficient. Miss Mona is disconsolate, at least until finding out the endeavor made by the sheriff on her behalf.
Every bit Miss Mona is departing the whorehouse for the last time, Earl stops her and proposes to her. She turns him downward, knowing that his dream is to run for state legislature and that having a wife who worked in prostitution would injure his chances. He again insists that he wants to ally her and that he does non intendance near what people will recall or say. Deputy Fred, in a voiceover, states that Earl and Miss Mona married and that Earl successfully ran for the legislature. Deputy Fred states that he succeeded Earl as Sheriff.
Cast [edit]
- Burt Reynolds as Sheriff Ed Earl Dodd
- Dolly Parton every bit Mona Stangley
- Dom DeLuise as Melvin P. Thorpe
- Charles Durning every bit The Governor
- Theresa Merritt as Jewel
- Jim Nabors as Deputy Fred
- Lois Nettleton as Dulcie Mae
- Noah Beery Jr. as Edsel
- Robert Mandan as Senator Charles Wingwood
- Barry Corbin as C.J.
- Mary Jo Catlett equally Rita Crowell
- Mary Louise Wilson as Miss Modene
- Howard K. Smith as himself
- Donald F. Colson equally Jeff Gerald
- Helen Kleeb as Dora
- Mickey Jones as Henry
- Bobby Fite as Dulcie Mae'south son
- Paula Shaw as Wulla Jean
- Kenneth White as Sheriff Jack Roy
- Ted Gehring every bit Sheriff Chapman
- Verne Lundquist as Football Announcer
- Lee Grosscup as Football Colour Man
- Alice Drummond as Governor's secretary
- Terri Treas equally Craven Ranch Girl: Taddy-Jo
- Randy Bennett as Privates Boy
- Andrea Pike as Chicken Ranch Girl: Shy (Speaking scenes cutting)
- Valerie Leigh Bixler every bit Chicken Ranch Girl: Angel (Speaking scenes cutting)
Production [edit]
Development [edit]
Originally, Larry L. King and Peter Masterson were going to write the screenplay and Masterson and Tommy Melody, who had directed the phase product, were to directly the picture together. King recommended Shirley MacLaine, Dyan Cannon, Cari Glynn and Jill Clayburgh as the possibles to star but was told they were non a sufficient box part draw.[5]
When Dolly Parton was cast Rex suggested Willie Nelson as a co-star and Universal executives met with him but at the end Burt Reynolds was bandage. Reynolds was paid $3.five 1000000 and Parton $1.five meg.[5]
Reynolds wanted script changes and wanted to sing. Universal became nervous well-nigh giving the film to first-time directors and ended upward replacing Masterson and Tune with Colin Higgins.[5]
Reynolds later said Parton "had two directors fired earlier we started – they were gone. Because I'd made so many movies and she hadn't, everyone idea it was me. Whether she was right or incorrect in those decisions, information technology was astonishing to me that she could do it."[6]
Higgins prepared for directing it by watching old George Cukor films and Dr. Pepper commercials ("They take a lot of wonderful movement", said Higgins.[7])
Reynolds said he suggested to Higgins that Charles Durning be cast. "Colin is very smart, very commercial. They wanted Mickey Rooney, and then I manipulated him a little. I told Colin, 'Mickey Rooney is a wonderful thespian, but everyone knows that. You won't get any credit. Charles Durning tin sing and dance and no one knows it, so you lot'll get all the credit.' "[6]
Adaptation [edit]
The book of the play was restructured to make it a vehicle for Parton and Reynolds.
The plot is basically the same as that of the phase production, with one significant departure. In the original, Ed Earl and Miss Mona had a one-dark stand fifteen years earlier, but in the film, they maintain an ongoing affair.
The human relationship in the film brings most not only the accusatory scene, when the sheriff—disappointed that Mona has broken her promise to close the Chicken Ranch down long enough for things to cool off—calls her a whore, only too the happy ending, when he proposes union to Mona, even though that might endanger his chances to be elected as a state legislator; the epilogue comments state that he is elected anyway.
Shooting [edit]
Parton described her experience making the film as "a nightmare."[eight] For his part, Reynolds described Parton as "very self-deprecating, at to the lowest degree in public."[9]
Music [edit]
Much of Ballad Hall's original Broadway score was performed in the movie version. Omitted were "Good Erstwhile Girl", "The Bus From Amarillo", "24 Hours of Lovin", "No Lies" and "Doatsie Mae". Two additional Parton compositions appear in the film: "Sneakin' Effectually", performed as a duet with Parton and Reynolds, and a two-stanza version of Parton'due south 1973 composition "I Will Always Honey You". The film version of "I Will Always Love You"—the original recording has been a U.Due south. country chart-topper for Parton in the bound of 1974—was released equally a single in July 1982, and over again reached number one on the U.South. country singles chart. It was likewise a mid-level hit on Billboard pop and developed contemporary charts. An altered version of Hall's "Hard Candy Christmas", in which Parton sings both the chorus and the verses of the song (every bit opposed to the film version, which is partially sung by some of the other female cast members), was also released every bit a single, reaching the top ten on the country singles chart in tardily 1982.
Parton wrote several new songs which were filmed but ultimately not used, including "A Risk Either Way" and "Where Stallions Run". The latter was restored for the ABC network television set circulate of the picture, as the film was besides short for its time slot after the censors finished their broadcast edits and additional material was needed. "A Gamble Either Way" replaced "Girl Y'all're a Woman" from the Broadway score and was sung by Parton afterwards Miss Mona interviewed "Shy" (Andrea Pike) for a task at the Chicken Ranch. The characters of Shy and Angel from the Broadway show were reduced in the motion picture. Their footage was eventually edited out. "Down At The Chicken Ranch" was written for the trailer. Parton recorded two of the deleted songs, "A Gamble Either Way", and "A Cowboy's Ways" (a reworking of "Where Stallions Run"), and included them on her 1983 album Burlap & Satin.
Release [edit]
Marketing [edit]
The film presented some difficulties for Universal, particularly with advertising. In 1982, the word "whorehouse" was considered obscene in parts of the United States, resulting in the picture being renamed The Best Fiddling Cathouse in Texas in some print ads, while goggle box ads were either banned outright in some areas, or the offending word was censored; on WXYZ-Tv in Detroit, the journalist on the station's "Now Showing" segment only clicked his tongue to eliminate the offending discussion: "The Best Little [click, click] in Texas!" In Canada, the title was generally left solitary in print, but televised trailers used a bleep conscience over the word. During interviews, Parton sometimes referred to the film as The Best Little Chicken House in Texas.
Box office [edit]
The Best Little Whorehouse in Texas opened in 1,400 theaters on July 23, 1982 and earned $xi,874,268 in its opening weekend, ranking number ane in the United states of america box office, dethroning E.T. The Extra Terrestrial 's half-dozen-calendar week run at the elevation of the box part.[ten] It was the biggest weekend for a musical film always.[11] The moving picture grossed $69,701,637 domestically.[iii]
Critical reception [edit]
The film received mixed reviews from critics. On review aggregator website Rotten Tomatoes, the picture holds a 42% rating based on 12 reviews.[12] Roger Ebert of the Chicago Dominicus-Times gave the movie two out of iv stars, stating, "If they ever give Dolly her freedom and end packaging her and then antiseptically, she could be terrific. But Dolly and Burt and Whorehouse never go beyond the concept phase in this movie."[13]
Cultural influence [edit]
The film and the original Broadway musical it was based on were spoofed in the 1982 pornographic film Memphis Cathouse Blues,[14] which starred Annette Haven in the Dolly Parton role of the madam and Mike Horner in the Burt Reynolds role equally the sheriff. Porn star Kay Parker, who played ane of the prostitutes in the film, had an uncredited scrap role in The Best Fiddling Whorehouse in Texas.
Legacy [edit]
The business firm used in the film is located at Universal Studios in Hollywood and tin be viewed as function of the backlot tram tour. The inspiration for the fix came from a existent ranch house located outside Austin, Texas, which is featured in scenes from the movie.[15]
The house was shown in the Ghost Whisperer television serial episode "The Lost Boys".
The house was as well featured in Rob Zombie's 2003 horror motion picture Business firm of 1000 Corpses.
The movie was mentioned in an episode of The Venture Bros., where Dr. Venture mistakes information technology for a pornographic film, given its "racy" history.[sixteen]
References [edit]
- ^ "THE Best Piddling WHOREHOUSE IN TEXAS (AA)". British Board of Picture Classification. October half dozen, 1982. Retrieved June 29, 2015.
- ^ "The Unstoppables". Spy. November 1988. p. 92.
- ^ a b "The Best Little Whorehouse in Texas". Box Role Mojo. Cyberspace Movie Database. October 22, 1982. Retrieved June 29, 2015.
- ^ "Musical, 1974–present". Box Function Mojo. IMDb. Retrieved July 28, 2012.
- ^ a b c Male monarch, Larry L. (July viii, 1982). "What a circular-up! Roping Dolly and Burt, bringing 'Whorehouse' to the screen". Chicago Tribune. p. d20.
- ^ a b Scott, Jay (June 27, 1987). "REYNOLDS RAP". The Globe and Mail. p. E.1.
- ^ Goldstein, Patrick (Jan 24, 1981). "HIGGINS: WRITER-Managing director ON HOT STREAK". Los Angeles Times. p. b15.
- ^ Dolly on Dolly: Interviews and Encounters with Dolly Parton. ed. Randy L. Schmidt
- ^ "Burt Reynolds: I was asked to be James Bail". November 19, 2022 – via www.telegraph.co.u.k..
- ^ "Weekend Box Part Results for July 23-25, 1982". Box Office Mojo. Internet Movie Database. July 26, 1982. Retrieved June 29, 2015.
- ^ Potato, Arthur D. (October 31, 1989). "Leading North American Film Boxoffice Weekends in History". Daily Variety. p. 53.
- ^ "The All-time Little Whorehouse in Texas". Rotten Tomatoes . Retrieved November 10, 2021.
- ^ "The Best Little Whorehouse in Texas Movie Review (1982)". Roger Ebert. Chicago Dominicus-Times. January 1, 1982. Retrieved June 29, 2015.
- ^ "Memphis Cathouse Blues (1982) Connections". Net Movie Database . Retrieved February 3, 2014.
- ^ "The Chicken Ranch". TheStudioTour.com . Retrieved July 28, 2012.
- ^ "Dolly Parton's Racy Flick | The Venture Bros. | Adult Swim". Archived from the original on June 18, 2022 – via www.youtube.com.
- Further reading
- Hall, Carol. Song Selections from The All-time Fiddling Whorehouse in Texas. Melville, N.Y.: MCA Music, 1979.
- Male monarch, Larry Fifty. and Masterson, Peter. The Best Little Whorehouse in Texas. Music and lyrics past Ballad Hall. French's Musical Library. New York, N.Y.: S. French, 1978. ISBN 0-573-68111-2
- King, Larry Fifty. The Whorehouse Papers. New York: Viking Press, 1982. ISBN 0-670-15919-0
External links [edit]
- The Best Little Whorehouse in Texas at IMDb
- The All-time Little Whorehouse in Texas at the TCM Picture show Database
- The Best Little Whorehouse in Texas at Box Function Mojo
- The Best Little Whorehouse in Texas at Rotten Tomatoes
Source: https://en.wikipedia.org/wiki/The_Best_Little_Whorehouse_in_Texas_%28film%29
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